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<P>This crossover hit, the soundtrack to Jane Campion's film, is subtle, pretty, and just a little bit bland. Nyman keeps the theatrics to a minimum, crafting an evocative work that manages to be both personal and universal. He also lets the music run its course, never pushing or cutting off a piece until it says what it needs to. A towering commercial achievement from a decidedly non-commercial artist.</P> <B>Michael Gallucci</B>
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