Record Reviews - RecordDB

Artist	Title	Review
Creedence Clearwater Revival	Willie And The Poor Boys
George Cromarty	Wind In The Heather
George Cromarty	Wind In The Heather
Crowded House	Crowded House
Crowded House	Temple Of Low Men	<p>Following the success of Crowded House's debut and the band's grueling promotion schedule, Neil Finn was clearly showing signs that he was no longer happy being New Zealand's zany ambassador to the U.S. While the material on Temple of Low Men demonstrates great leaps in quality over its predecessor, it is a darkly difficult album, especially for those expecting "Crowded House, Pt. 2" -- in short, there are no immediately accessible singles. Instead, Finn digs into the depths of his emotional psyche with obsessive detail, crafting a set of intense, personal songs that range from the all-too-intimate look at infidelity of "Into Temptation," to the raucous exorcism of "Kill Eye." Through all of this introspective soul-searching, Finn reveals most of all his true mastery of melody.</p>— <b>Chris Woodstra</b>
Crowded House	It's Only Natural (EP)
Crowded House	Woodface
Crowded House	Together Alone
Crowded House	Nails In My Feet (EP)
Crowded House	Recurring Dream, Very Best Of
Crowded House	Everything Is Good For You (EP)
Crowded House	Afterglow
Rodney Crowell	What Will The Neighbors Think
Rodney Crowell	Rodney Crowell
John Crowle	Highway 81
John Crowle	Highway 81
CSN&Y	Deja Vu
Stephen Cummings	Firecracker
Stephen Cummings	Close Ups	<p>“When I left the Sports, I left the Sports. That was it. I left the songs behind and I never looked back. Now I've done 13 solo albums I kinda thought, 'I wanna bring those songs back into my life'. Elvis Costello does it. Bob Dylan does it. Why am I not doing it?”</p> <p>Stephen Cummings isn't being immodest by claiming such distinguished company. Like some of rock's greatest artists, he's a writer obsessed with the ongoing redefinition of ageless emotions and scenarios. For nearly 30 years, his work has channelled a restless creative spirit through one of Australia's most acclaimed and distinctive voices.</p><p><i>CLOSE-UPS</i> is a surprisingly affectionate return to his back catalogue in a spontaneous acoustic setting. By recalling songs he hasn't played in 25 years and reconsidering some of his finest moments as a solo artist, Stephen Cummings has arguably arrived at his definitive album.</p><p>“To me it was about rearranging and reclaiming the songs,” he says. “A good pop song doesn't date. All Neil Finn's really good songs, Beatles songs, they sound great on an acoustic guitar. I wanted to see how mine stood up.</p><p>"To me, How Come and Strangers On a Train sound like they were written yesterday. Live Work and Play, I thought 'This sounds like Porno For Pyros or something, a real modern rock record'."</p><p>Suspicious Minds, one of four songs from the Sports' benchmark Don't Throw Stones LP of '79, is one of several recast in the haunting twilight mood of a mature artist. Then again, the breezy nylon strings of Twist Senorita revisit the band's first EP of '77 with the freshness of innocence itself.</p><p>Later classics – She Set Fire To The House, When Love Comes Back To Haunt You, Walk Softly and Carry a Big Stick – are timeless stories that reveal more in the retelling, like pictures showing new details under different light.</p><p>“Doing it was a real blast, I have to admit,” Stephen says. “We did it in about three days, played it live so every track has the immediacy of an actual performance. It has that urgency so many records seem to lack these days.”</p><p><i>CLOSE-UPS</i> was recorded at Joe Camilleri's Woodstock Studios in Melbourne with long time collaborators Shane O'Mara on guitars and Rebecca Barnard on harmony vocals, plus Howard Cairns (bass), Peter Jones (drums) and James Black (electric piano).</p>
Marcel Dadi	The Guitar Of Marcel Dadi

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