Record Reviews
📝 2096 reviews| Artist | Title | Review |
|---|---|---|
| James Taylor | Mud Slide Slim | |
| James Taylor | One Man Dog | |
| James Taylor | JT | |
| James Taylor | JT | |
| James Taylor | Flag | |
| James Taylor | Thats Why I'm Here | |
| James Taylor | Pull Over | |
| James Taylor | Pull Over | |
| James Taylor | October Road | |
| Livingston Taylor | Echoes | |
| Matt Taylor | Straight As A Die | |
| Tchaikovsky | Symphony No 5 | |
| Tchaikovsky | The Classical Collection | |
| Kiri Te Kanawa | My Fair Lady | |
| Tears For Fears | The Seeds Of Love | |
| Tears For Fears | Advice For The Young (CD single) | |
| Ten Years After | Stonehenge | |
| Ten Years After | Cricklewood Green | <p>Cricklewood Green provides the best example of Ten Years After's recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee's signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Cricklewood Green opens with a pair of bluesy rockers, with "Working on the Road" propelled by a guitar and organ riff that holds the listener's attention through the use of tape manipulation as the song develops. "50,000 Miles Beneath My Brain" and "Love Like a Man" are classics of TYA's jam genre, with lyrically meaningless verses setting up extended guitar workouts that build in intensity, rhythmically and sonically. The latter was an FM-radio staple in the early '70s. "Year 3000 Blues" is a country romp sprinkled with Lee's silly sci-fi lyrics, while "Me and My Baby" concisely showcases the band's jazz licks better than any other TYA studio track, and features a tasty piano solo by Chick Churchill. It has a feel similar to the extended pieces on side one of the live album Undead. "Circles" is a hippie-ish acoustic guitar piece, while "As the Sun Still Burns Away" closes the album by building on another classic guitar-organ riff and more sci-fi sound effects.</p>— <b>Jim Newsom</b> |
| Ten Years After | Cricklewood Green - Sssh | <p>Cricklewood Green provides the best example of Ten Years After's recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee's signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Cricklewood Green opens with a pair of bluesy rockers, with "Working on the Road" propelled by a guitar and organ riff that holds the listener's attention through the use of tape manipulation as the song develops. "50,000 Miles Beneath My Brain" and "Love Like a Man" are classics of TYA's jam genre, with lyrically meaningless verses setting up extended guitar workouts that build in intensity, rhythmically and sonically. The latter was an FM-radio staple in the early '70s. "Year 3000 Blues" is a country romp sprinkled with Lee's silly sci-fi lyrics, while "Me and My Baby" concisely showcases the band's jazz licks better than any other TYA studio track, and features a tasty piano solo by Chick Churchill. It has a feel similar to the extended pieces on side one of the live album Undead. "Circles" is a hippie-ish acoustic guitar piece, while "As the Sun Still Burns Away" closes the album by building on another classic guitar-organ riff and more sci-fi sound effects.</p>— <b>Jim Newsom</b><br><br><hr><p>This was Ten Years After's new release at the time of their incendiary performance at the Woodstock Festival in August, 1969. As a result, it was their first hit album in the U.S., peaking at number 20 in September of that year. This recording is a primer of British blues-rock of the era, showcasing Alvin Lee's guitar pyrotechnics and the band's propulsive rhythm section. As with most of TYA's work, the lyrics were throwaways, but the music was hot. Featured is a lengthy cover of Sonny Boy Williamson's "Good Morning Little Schoolgirl," with reworked lyrics leaving little doubt what the singer had in mind for the title character. Also included was a twelve-bar blues song with the ultimate generic blues title, "I Woke Up This Morning." Ssssh marked the beginning of the band's two-year run of popularity on the U.S. album charts and in the "underground" FM-radio scene.</p>— <b>Jim Newsom</b> |
| The Allman Brothers Band | The Allman Brothers Band | <p>This might be the best debut album ever delivered by an American blues band, a bold, powerful, hard-edged, soulful essay in electric blues with a native Southern ambience. Some lingering elements of the psychedelic era then drawing to a close can be found in "Dreams," along with the template for the group's on-stage workouts with "Whipping Post," and a solid cover of Muddy Waters' "Trouble No More." There isn't a bad song here, and only the fact that the group did even better the next time out keeps this from getting the highest possible rating.</p><p>—<strong>Bruce Eder</strong></p> |
Showing 1541–1560 of 2096 reviews
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