๐ŸŽต
Artist: Fleetwood Mac

Collection Gold

๐Ÿท๏ธ Blues ๐Ÿ“… 1970 ๐Ÿ’ฟ CD โญ ***

Field
Blues
Recorded
1970
Label
Columbia
Pressing
Aus
Rating
***
Discs
1
Media
CD
Bought
01-Oct-1998
Cost
¤9.00

๐ŸŽถ Track Listing

16 tracks ยท 52:56
  1. 1 Jigsaw Puzzle Blues 1:35
  2. 2 I Believe My Time Ain't Long 2:57
  3. 3 Need Your Love So Bad 3:57
  4. 4 Rattle Snake Shake 3:31
  5. 5 The Sun Is Shining 3:13
  6. 6 Coming Home 2:41
  7. 7 Albatross 3:12
  8. 8 Black Magic Woman 2:53
  9. 9 Just The Blues (with Eddy Boyd) 5:35
  10. 10 The Big Boat (with Eddy Boyd) 2:39
  11. 11 No Place To Go 3:22
  12. 12 I've Lost My Baby 4:17
  13. 13 Stop Messin' Round 2:22
  14. 14 Shake Your Money Maker 2:57
  15. 15 Love That Burns 5:05
  16. 16 Rambling Pony 2:40

๐Ÿ“œ Artist Biography

While most bands undergo a number of changes over the course of their careers, few groups experienced such radical stylistic changes as Fleetwood Mac. Initially conceived as a hard-edged British blues combo in the late '60s, the band gradually evolved into a polished pop/rock act over the course of a decade. Throughout all of their incarnations, the only consistent members of Fleetwood Mac were drummer Mick Fleetwood and bassist John McVie -- the rhythm section that provided the band with its name. Ironically, they had the least influence over the musical direction of the band. Originally, guitarists Peter Green and Jeremy Spencer provided the band with its gutsy, neo-psychedelic blues-rock sound, but as both guitarists descended into mental illness, the group began moving toward pop/rock with the songwriting of pianist Christine McVie. By the mid-'70s, Fleetwood Mac had relocated to California, where they added the soft rock duo of Lindsey Buckingham and Stevie Nicks to their lineup. Obsessed with the meticulously arranged pop of the Beach Boys and the Beatles, Buckingham helped the band become one of the most popular groups of the late '70s. Combining soft rock with the confessional introspection of singer/songwriters, Fleetwood Mac created a slick but emotional sound that helped 1977's Rumours become one of the biggest-selling albums of all time. The band retained its popularity through the early '80s, when Buckingham, Nicks, and Christine McVie all began pursuing solo careers. The band reunited for one album, 1987's Tango in the Night, before splintering in the late '80s. Buckingham left the group initially, but the band decided to soldier on, releasing one other album before Nicks and McVie left the band in the early '90s, hastening the group's commercial decline.

The roots of Fleetwood Mac lie in John Mayall's legendary British blues outfit, the Bluesbreakers. Bassist John McVie was one of the charter members of the Bluesbreakers, joining the group in 1963. In 1966 Peter Green replaced Eric Clapton, and a year later drummer Mick Fleetwood joined. Inspired by the success of Cream, the Yardbirds, and Jimi Hendrix, the trio decided to break away from Mayall in 1967. At their debut at the British Jazz and Blues Festival in August, Bob Brunning was playing bass in the group, since McVie was still under contract to Mayall. He joined the band a few weeks after their debut; by that time, slide guitarist Jeremy Spencer had joined the band. Fleetwood Mac soon signed with Blue Horizon, releasing their eponymous debut the following year. Fleetwood Mac was an enormous hit in the U.K., spending over a year in the Top Ten. Despite its British success, the album was virtually ignored in America. During 1968, the band added guitarist Danny Kirwan. The following year, they recorded Fleetwood Mac in Chicago with a variety of bluesmen, including Willie Dixon and Otis Spann. The set was released later that year, after the band had left Blue Horizon for a one-album deal with Immediate Records; in the U.S., they signed with Reprise/Warner Bros., and by 1970, Warner began releasing the band's British records as well.

Fleetwood Mac released English Rose and Then Play On during 1969, which both indicated that the band was expanding its music, moving away from its blues purist roots. That year, Peter Green's "Man of the World" and "Oh Well" were number two hits. Though his music was providing the backbone of the group, Green was growing increasingly disturbed due to his large ingestion of hallucinogenic drugs. After announcing that he was planning to give all of his earnings away, Green suddenly left the band in the spring of 1970; he released two solo albums over the course of the '70s, but he rarely performed after leaving Fleetwood Mac. The band replaced him with Christine Perfect, a vocalist/pianist who had earned a small but loyal following in the U.K. by singing with Spencer Davis and the Chicken Shack. She had already performed uncredited on Then Play On. Contractual difficulties prevented her from becoming a full-fledged member of Fleetwood Mac until 1971; by that time she had married John McVie.

—Stephen Thomas Erlewine

โœ๏ธ Record Review

Comprised of songs from the early, hard-edged blues-based Fleetwood Mac, before they morphed into the polished rock act for which they will forever be known, Collection Gold is an excellent overview of the group's roots and the vision of guitarists Peter Green and Jeremy Spencer. The raw groove of one of Green's most famous compositions, "Black Magic Woman," the beautiful atmospherics of "Albatross," and the shuffling cover of the Howlin' Wolf tune "No Place to Go" certainly highlight the early days of Fleetwood Mac and serve to document a fascinating group who commanded as much importance in the British psychedelic blues scene as much as the American pop scene.

—Gregory McIntosh