Sailing To Philadelphia

Mark Knopfler is a guitarist, singer, songwriter, and bandleader. His group, Dire Straits, was formed in London in 1977 and went on to become an international success after the release of its debut album in 1978. Though it began as a group with a permanent lineup led by Knopfler, in its first few years it evolved into a brand name for Knopfler with varying personnel. Starting with Local Hero in 1983, Knopfler has scored several motion pictures. He has also recorded with Chet Atkins and with the Notting Hillbillies. In 1995, Knopfler quietly laid Dire Straits to rest. He launched a full-fledged solo career with the release of Golden Heart in 1996; subsequent soundtrack efforts include 1998's Wag the Dog, 1998's Metroland, and 2002's Shot at Glory. Sailing to Philadelphia, a lush collection of folk-rock and breezy Americana that featured guest appearances by James Taylor, Van Morrison, and Squeeze leaders Glenn Tilbrook and Chris Difford, appeared in fall 2000, and Ragpicker's Dream followed in 2002. In 2003, on the way to rehearsals in London, Knopfler broke his collarbone, shoulder, and seven ribs in a motorcycle crash. He returned in 2004 with Shangri-La, and in 2006 he completed All the Road Running, a collaboration with Emmylou Harris recorded over the span of nearly seven years that also found life as a live CD/DVD release (Real Live Roadrunning) later that November. Kill to Get Crimson appeared in 2007, and Get Lucky in 2009.

Mark Knopfler's second solo album might as well be called Dire Straits' eighth studio album, though Knopfler abandoned the group name back in 1996, dispensing with hefty sales in the process. There was never much doubt that the fame and lifestyle coincident with platinum sales made him uncomfortable, and discontinuing the Dire Straits billing was a means of walking away from all that. It also allowed him to indulge his love for various musical genres more, and that process continues on Sailing to Philadelphia. True, Knopfler's basic approach remains the same -- as a guitarist, he is still enamored of the minor-key finger-picking style of J.J. Cale, and as a singer/songwriter, he remains enthralled with Bob Dylan. But in one song after another on this album, you get the feeling that he started out playing some familiar song in a specific genre and eventually extrapolated upon it enough to call it an original.

Knopfler has grafted his own lyrical concerns to these songs, often playing up the lives of humble people (especially musicians), and putting down powerful people (especially rock stars). There are also story-songs on wide-ranging subjects, but the theme of life on the road and the dichotomy between the rich and famous (what Knopfler is) and the poor and powerless (those he identifies with) predominate. Working with a two-guitars, two-keyboards, bass and drums band (like Dire Straits), Knopfler brings in a variety of sympathetic guests, notably James Taylor, Van Morrison, and Squeeze leaders Glenn Tilbrook and Chris Difford. These guest stars provide pleasant contrast to Knopfler's modest vocal talents, but they never steal the spotlight from the leader. (Well, okay, Morrison does.) His ability to hold his own is some indication that, however self-effacing he may be, he remains a star. [In 2005 Sailing to Philadelphia was reissued with a bonus DVD that featured "behind the scenes" footage" as well as interviews with Knopfler and his band.]

— William Ruhlmann