๐ŸŽต
Artist: Blind Faith

Blind Faith (Deluxe Edition)

๐Ÿท๏ธ Rock ๐Ÿ“… 1969 ๐Ÿ’ฟ CD โญ ****

Field
Rock
Recorded
1969
Label
Polydor
Pressing
Eng
Rating
****
Discs
2
Media
CD
Bought
29-Mar-2001
Cost
¤26.00

๐ŸŽถ Track Listing

๐Ÿ’ฟ Disc 1 11 tracks ยท 1:14:39
  1. 1 Had To Cry Today 8:49
  2. 2 Can't Find My Way Home 3:16
  3. 3 Well All Right 4:27
  4. 4 Presence Of The Lord 4:51
  5. 5 Sea Of Joy 5:22
  6. 6 Do What You Like 15:23
  7. 7 Sleeping In The Ground 2:52
  8. 8 Can't Find My Way Home (2) 5:43
  9. 9 Acoustic Jam 15:54
  10. 10 Time Winds 3:18
  11. 11 Sleeping In The Ground (2) 4:44
๐Ÿ’ฟ Disc 2 4 tracks ยท 57:27
  1. 1 Jam No. 1: "Very Long & Good Jam" 14:03
  2. 2 Jam No. 2: "Slow Jam #1 15:09
  3. 3 Jam No. 3: "Change of Address Jam" 12:09
  4. 4 Jam No. 4: "Slow Jam #2" 16:06

๐Ÿ“œ Artist Biography

Blind Faith were the band that introduced the world to the notion of a rock "supergroup," a combo featuring several musicians who had already achieved popularity and critical acclaim before joining forces to make music. Blind Faith also unwittingly established one of the most common features of supergroups -- most featured enough performers with strong rรฉsumรฉs and egos to match that internal conflicts were all but inevitable, and as a consequence, they usually fell apart rather quickly. Despite a hit album and a financially successful international concert tour, Blind Faith managed to rise and fall in the space of less than a year, and ultimately proved to be a large but curious footnote in the careers of four giants of British rock: Eric Clapton, Steve Winwood, Ginger Baker, and Rick Grech.

Blind Faith were born of discord within two noted British acts of the late '60s. Cream were at the peak of their fame when the band broke up in 1969, in part because guitarist Eric Clapton was uncertain about the group's creative direction, but mainly because bassist Jack Bruce and drummer Ginger Baker found it all but impossible to see eye to eye. Meanwhile, vocalist and keyboard player Steve Winwood had founded Traffic after leaving the Spencer Davis Group to explore an adventurous brand of rootsy but instrumentally adept psychedelia informed by jazz and blues. After initial success, however, they had trouble negotiating egos as well as working out the balance of songwriting and instrumental work within the band, and in 1969, Traffic shut down.

Clapton and Winwood were friends and mutual admirers who had jammed together on several occasions, so when both found themselves at liberty following the breakup of their respective groups, they investigated the idea of forming a band together. One day, Ginger Baker stopped by while Clapton and Winwood were working out material, and he sat in on drums. Musically, Clapton and Winwood were happy with the way Baker's ambitious percussion melded with their new songs, which explored a more subtle blend of blues and R&B than Cream. While Clapton was wary of reuniting with Baker so soon after closing the book on Cream, Winwood's enthusiasm won out, and Baker joined the band. The group became a quartet with the addition of bassist Rick Grech, who had been playing with the celebrated U.K. band Family.

By May 1969, the quartet was recording an album with Jimmy Miller serving as producer. Given the massive commercial success of Cream and widespread curiosity about Clapton's next project, the new band -- dubbed Blind Faith by the tongue-in-cheek Clapton -- signed a lucrative record deal with Atlantic in the United States as well as Polydor in the U.K. Promoters were clamoring for a tour, and the band scheduled dates in Europe, the United States, and Canada. Blind Faith made their public debut with a show at London's Hyde Park on June 7, 1969. An estimated 100,000 people were on hand for the show, and while most in attendance seemed thrilled with the concert, Clapton in particular was not pleased with how loose and informal Blind Faith sounded on-stage. By the end of the month, Blind Faith had set out on a club tour of Europe, and the smaller shows allowed them better control of their sound and performances. When they hit America in July, however, they were booked into large arenas often saddled with dubious acoustics and poor sound systems. Fans eager to see the new band that was the talk of the rock press often battled with police and security as they rushed the stage, and the musicians were displeased with the chaotic atmosphere. It didn't help that Blind Faith had less than an hour's worth of new music to perform before they set out on tour; the band played North America for seven weeks, and by most reports they were rarely happy with their performances or the circumstances of the tour.

Blind Faith

In August 1969, the Blind Faith album finally hit the streets, and while "Presence of the Lord" and "Can't Find My Way Home" quickly became FM rock staples and the album topped the charts in Britain and the United States, reaction to the project was less enthusiastic than many had expected. The band received negative press for the LP's cover, which featured a topless schoolgirl playing with a silver airplane model. (The sleeve was rejected in America in favor of a cover featuring a portrait of the band.) After Blind Faith returned home from the North American tour at the end of August, the members went their separate ways. Clapton joined Delaney & Bonnie & Friends on tour as a sideman, and next formed Derek & the Dominos, while Winwood re-formed Traffic, who became more successful than ever. Baker formed his own group, Ginger Baker's Air Force, which would feature Grech in the lineup. Grech also played briefly with Traffic, and in 1976 became involved with another ill-fated supergroup, KGB, featuring Michael Bloomfield, Carmine Appice, and Barry Goldberg.

Blind Faith

Grech died in 1990, and Baker passed in 2019. While Clapton and Winwood would occasionally perform together, there has been no effort to revive Blind Faith; presumably their brief run in 1969 was enough for all involved.

— Mark Deming

โœ๏ธ Record Review

Blind Faith's lone album is often considered vivid proof as to why superstar collaborations simply don't work, but that is a little unfair -- in contrast to, say, Chess Records' various Super Blues releases, which stuck top musicians such as Muddy Waters and Howlin' Wolf together in awkward combos that they didn't really want to be part of, the guys in Blind Faith really were trying to work together on a long-term basis, and had an affinity for each other's work; the group just never had the time to evolve properly. And in retrospect, the album does have something to offer, including two songs that are touchstones of classic late-'60s rock: "Can't Find My Way Home" and "Presence of the Lord," not to mention the bracing "Sea of Joy." "Had to Cry Today" is also pretty effective, as is the Buddy Holly cover "Well All Right." Still, for those who subscribe to conventional rock critic doctrine, it may seem a little strange that an album as muddied as Blind Faith was given this lavish Deluxe Edition, containing basically everything capable of being released that the group cut during these sessions. This expanded edition will not change any minds; just on principle, it may even sour some open-minded listeners who have a distaste for extended, seemingly endless jams; in the latter regard, anyone so inclined should probably skip all but the third track on the second disc entirely, since three of the four jams that comprise the nearly hourlong platter are the least interesting of the bonus materials, even if some moments work well -- Eric Clapton's electric guitar playing is always interesting, and when Steve Winwood's organ kicks in there's a fair degree of excitement, though not without a lot of meandering before and after.

But the bonus tracks appended to the basic album on the first disc -- which runs a whopping 75 minutes -- are a different matter. These include two previously unreleased versions of "Sleeping in the Ground" (the one on Crossroads is missing), an electric version of "Can't Find My Way Home" that's just about worth the price of admission, and "Time Winds." If one compares this double-disc set to, say, The Layla Sessions triple-CD box, there's more here, if only because this group still had so many rough edges to work out that are worth a listen, whereas the completed Derek & the Dominos Layla album did, indeed, distill down the best of that band's work. With Blind Faith, there was still a lot of ground to cover musically, although "Acoustic Jam" will probably not be on too many listeners' playlists more than once or twice, except for some aspects of Eric Clapton's and Rick Grech's playing -- this track may be the earliest instance (albeit an unintended one, as it wasn't ever supposed to see the light of day) justifying the criticism that sometimes gets hung on Steve Winwood's multi-instrumentalist status, that he is a jack of all trades and master of none, because his piano playing here just isn't very interesting. The fact remains that -- even with these new tracks and the lavish presentation -- this is a muddled album, but like The Layla Sessions it's still a hell of a set for the dedicated, filled with unheard music, good liners, and beautiful packaging. Those who do love the album or the work of the musicians involved will not be disappointed by this, and may well find new moments of fascination in the best of the jams. [The two bonus tracks that appeared on the original late-'80s CD release of Blind Faith are not here, as it was subsequently discovered that they were Rick Grech demos that didn't involve the rest of the band.]

—Stephen Thomas Erlewine