Robben Ford has had a diverse career. He taught himself guitar when he was 13 and considered his first influence to be Mike Bloomfield. At 18, he moved to San Francisco to form the Charles Ford Band (named after his father, who was also a guitarist) and was soon hired to play with Charles Musselwhite for nine months. In 1971, the Charles Ford Blues Band was re-formed and recorded for Arhoolie in early 1972. Ford played with Jimmy Witherspoon (1972-1973), the L.A. Express with Tom Scott (1974), George Harrison, and Joni Mitchell. In 1977, he was a founding member of the Yellowjackets, which he stayed with until 1983, simultaneously having a solo career and working as a session guitarist. In 1986, Ford toured with Miles Davis and he had two separate periods (1985 and 1987) with Sadao Watanabe, but he seemed to really find himself in 1992 when he returned to his roots: the blues. Ford formed a new group, the Blue Line, and has since recorded a couple of blues-rock dates for Stretch that are among the finest of his career. In 1999, he released Sunrise on Rhino and Supernatural on
— Scott Yanow📜 Artist Biography
✍️ Record Review
This is a keeper from the word "go." Recorded live in 1995 (but not released until 1998) at Yoshi's in Oakland, CA, Robben Ford is joined by long-time Blue Line trio members Roscoe Beck on bass and Tom Brechtlein on drums, as well as Bill Boublitz on a baby grand piano. Although nearly all of the songs can be found on other Ford albums (most are from Handful of Blues), one of the things that makes this jazzy recording so special is that Ford is playing only an acoustic guitar. The Ray Charles gem "Don't Let the Sun Catch You Crying" (which you WON'T find elsewhere) is simply beautiful, and on Paul Butterfield's "Lovin' Cup," it's just Ford and his guitar. The brilliance of his playing and the reason behind why so many guitar players put him at the top of their list can be found in Ford's performance on this release, alternating between lead and rhythm. The Authorized Bootleg also has great (albeit laid-back) versions of "When I Leave Here" and "Tired of Talkin'." Highly, highly recommended.
— Ann Wickstrom