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Artist: John Mayer

Try!

🏷️ Rock πŸ“… 2005 πŸ’Ώ CD ⭐ ****

Field
Rock
Recorded
2005
Label
Columbia
Pressing
Aus
Rating
****
Discs
1
Media
CD
Bought
25-Dec-2005
Cost
¤25.00

πŸ“œ Artist Biography

After making his introduction as a sensitive, acoustic-styled songwriter on 2001's Room for Squares, John Mayer steadily widened his approach over the subsequent years, encompassing everything from blues-rock to adult contemporary in the process. Arriving during the tail end of teen pop's heyday, he crafted pop music for a more discerning audience, spiking his songcraft with jazz chords and literate turns of phrase. The combination proved to be quite popular, as Room for Squares went triple platinum before its follow-up release, Heavier Things, arrived in September 2003. Mayer continued to retool his sound with each album, however, moving beyond the material that had launched his career and adopting elements of rock, blues, and soul. Moreover, he partnered with legends of several genres, making guest appearances on albums by Buddy Guy, Eric Clapton, and B.B. King, while touring alongside jazz icon Herbie Hancock. Mayer also retained enough pop/rock foundation to continue his reign of the charts, making him one of the decade's most popular songwriters.

Born in Bridgeport, CT, and raised in the nearby town of Fairfield, Mayer began playing blues as a teenager. By 1997, his skill on the electric guitar was enough to warrant admission into the Berklee College of Music, although Mayer dropped out after two semesters to pursue a songwriting career in Atlanta. Working alongside former classmate Clay Cook, he frequented the local coffeehouse circuit and began co-writing material that melded palatable pop/rock with unexpected flourishes. Cook and Mayer parted ways shortly thereafter, however, with Cook joining the Marshall Tucker Band's touring lineup for several years. Now a solo artist by default, Mayer recorded several of the duo's songs, packaged them alongside a handful of his own compositions, and self-released the EP in 1999 under the title Inside Wants Out.

Mayer secured a deal with Aware Records in early 2000, and recording sessions for his debut album commenced later that year with producer John Alagia, renowned for his work with Dave Matthews and Ben Folds Five. Although Inside Wants Out had been a decidedly acoustic effort, Room for Squares proved to be a more expansive affair, with several of Mayer's old songs receiving new, radio-ready arrangements. Released in 2001 by both Aware and Columbia Records, the album quickly launched Mayer's career, with "No Such Thing" and "Your Body Is a Wonderland" both becoming Top 20 hits.

As Mayer hit the road in support of the album, his considerable talent as a lead guitarist (a skill that had been downplayed during Room for Squares) flourished, leading him to showcase several blues-influenced solos on his 2003 live album, Any Given Thursday. That same year, Mayer won his first Grammy Award for "Your Body Is a Wonderland." He returned to the Grammy ceremony two years later, this time to accept a pair of awards for "Daughters," a soulful ballad from his lucrative sophomore release, Heavier Things. Commercial and critical success notwithstanding, Mayer's interest in other genres convinced him to take a brief break from pop music, and he tested his instrumental chops by collaborating with blues artists (Buddy Guy, B.B. King, Eric Clapton) and jazz legends (John Scofield, Herbie Hancock). He also assembled the John Mayer Trio, whose bluesy rock & roll was displayed on the band's first and only release, Try!

Mayer returned to his solo career with 2006's Continuum, a warmly received album that saw him focusing on blues, pop, and contemporary soul. "Gravity" found modest success as a single, but "Waiting on the World to Change" proved to be the album's commercial highlight, cracking the Top 20 in February 2007 and winning a Grammy that same month. Later that year, Mayer achieved his highest-charting single to date with "Say," a song from the Rob Reiner film The Bucket List. After "Say" peaked at number 12, the song was included in a reissued version of Continuum, and it took home yet another Grammy Award (along with "Gravity") in early 2009. Following the release of a live album, Where the Light Is, Mayer once again returned to the studio in 2009, this time to record Battle Studies.

—Andrew Leahey

✍️ Record Review

What got into John Mayer? Sometime after the release of his 2003 sophomore album, Heavier Things, a perfectly pleasant affair that expanded on the dreamy, mellow adult pop of his breakthrough hit, "Your Body Is a Wonderland," he decided that he just didn't want to follow that direction anymore. He started penning a monthly column for Esquire magazine, within which he hinted that his musical tastes were far broader than his recordings suggested, and then he started cameoing all over the place, appearing on albums by Buddy Guy, Herbie Hancock, B.B. King, Eric Clapton, and John Scofield -- heavy hitters one and all, yet none of them seemed to have much to do with Mayer's music, at least on the surface. These veterans recognized something within Mayer's playing, but more importantly, he realized that he needed to push himself further and decided to expand his horizons by seizing the opportunity to play with these masters and then incorporating what he learned into his own music.

He toured as a power trio with studio pros Steve Jordan and Pino Palladino and recorded the live album Try! while on the road. There are no two ways about it: anybody who dismissed Mayer as a lite Dave Matthews wannabe based on his first two records will be forced to reassess him on the basis of this excellent record. While he still has some vocal tics that bring to mind Matthews and certainly shares an affection for lengthy live jams, Mayer has developed serious chops that transcend boilerplate jam band rock, where the groove and feel is more important than what's played. Here, Mayer is pushed by Jordan and Palladino -- and he pays back the favor by giving them equal billing on the album's front cover, which is unusual for any pop/rock star of his popularity (the cover also marks the second Blue Note allusion in Mayer's oeuvre, which is surely not a coincidence) -- and he rises to the challenge with muscular playing that's his best playing on record. Not just that, but there's a palpable grit to Try! -- and a sultry smoothness to the mellow numbers -- unheard on his previous studio albums. That alone would make Try! not just noteworthy, but a step forward for Mayer. But what makes it more remarkable is that Mayer takes an even greater risk by relying on new material for this album. There are two older songs -- "Something's Missing" and the hit "Daughters," both from Heavier Things -- but the rest consists of covers of Jimi Hendrix and Ray Charles ("Wait Until Tomorrow" and "I Got a Woman," respectively) and new songs that showcase Mayer's earthier, blues-rock direction. Although he sometimes dips into blues-rock clichΓ©s -- particularly on the slow-crawling "Out of My Mind" -- it's only on occasion (and when he does tread that familiar ground, he does so with conviction), and the songs overall are his strongest, most ambitious set of tunes yet. And that's what's most impressive about Try! -- Mayer has expanded what he can do as a musician and a writer and in the process has definitively separated himself from the pack of sensitive, jammy modern singer/songwriters. Based on this, he has more heart, soul, ambition, and chops than the rest of them combined.

— Stephen Thomas Erlewine