🎵

Before These Crowded Streets

🏷️ Rock 📅 2000 💿 CD ⭐ ****

Field
Rock
Recorded
2000
Label
RCA
Pressing
Am
Rating
****
Discs
1
Media
CD
Bought
06-Feb-2006
Cost
¤0.00

📜 Artist Biography

The South African vocalist/guitarist Dave Matthews formed the Dave Matthews Band in Virginia in the early '90s. Featuring Matthews, Stefan Lessard, Leroi Moore, Boyd Tinsley, and Carter Beauford, the group's music presents a more pop-oriented version of the Grateful Dead crossed with the worldbeat explorations of Paul Simon and Sting. The band built up a strong word-of-mouth following in the early '90s by touring the country constantly, concentrating on college campuses. In addition to amassing a sizable following, their self-released album, Remember Two Things, sold well for an independent release; soon, they were attracting the attention of majors. Signing with RCA, the Dave Matthews Band released their major-label debut, Under the Table & Dreaming, in the fall of 1994. By spring of 1995, the record had launched the hit single "What Would You Say" and sold over a million copies.

A year-and-a-half after the release of Under the Table & Dreaming, the record had sold over four million copies in the U.S. alone. In April of 1996, the Dave Matthews Band released Crash, which entered the charts at number two and quickly went platinum. Throughout 1996, the group toured behind Crash, sending it to double-platinum status. Also in 1996, Matthews launched an attack on bootleggers in conjunction with the Federal Government, targeting stores that were selling semi-legal discs of live performances. The efforts of Matthews, his band, and his management resulted in an unprecedented crackdown on bootleggers in early 1997 -- with nearly all of the major foreign bootlegging companies placed under arrest by the United States -- thereby putting a moratorium on the entire underground industry.

To further combat the bootleggers, Dave Matthews released an official, double-disc live album, Live at Red Rocks 8-15-95, in the fall of 1997. It was an unexpected success, debuting at number three on the charts and selling a million copies within the first five months of its release. The live record paved the way for the April 1998 release of Before These Crowded Streets, the group's most ambitious album to date. Another live effort, Listener Supported, followed a year later. Summer tours also packed the late '90s, with sold-out shows across the U.S. The new millennium, however, saw the band back in the studio with Glen Ballard to record their fourth studio album. Everyday was issued in February 2001. The following summer, the band issued Busted Stuff. Debut single "Where Are You Going" was also featured on the soundtrack to the Adam Sandler flick Mr. Deeds.

— Stephen Thomas Erlewine

✍️ Record Review

The Dave Matthews Band made their reputation through touring, spending endless nights on the road improvising. Often, their records hinted at the eclecticism and adventure inherent in those improvisation, but Before These Crowded Streets is the first album to fully capture that adventurous spirit. Not coincidentally, it's their least accessible record, even if it's more of a consolidation than it is a step forward. Early Dave Matthews albums were devoted to the worldbeat fusions of Graceland and Sting, but his RCA efforts incorporated these influences into a smoother, pop-oriented style. Here, everything hangs out. Old trademarks, like jittery acoustic grooves and jazzy chords, are here, augmented by complex polyrhythms, Mideastern dirges, and on two tracks, the slashing strings of the Kronos Quartet. Some fans may find the new, darker textures a little disarming at first, but they're a logical extension of the group's work, and in many ways, this sonic daring results in the most rewarding album they've yet recorded. The Dave Matthews Band haven't completely vanquished their demons, however -- songwriting remains a problem, especially since relying on grooves, improvisation, and texture allows them to skimp on melody, and Matthews' lyrics can be awkward and embarrassing, especially if he's writing about sex. Still, these are minor flaws on an album that relies on tone and improvisation, both of which are in ample supply on Before These Crowded Streets.

— Stephen Thomas Erlewine