The Best Of What Is Around

The South African vocalist/guitarist Dave Matthews formed the Dave Matthews Band in Virginia in the early '90s. Featuring Matthews, Stefan Lessard, Leroi Moore, Boyd Tinsley, and Carter Beauford, the group's music presents a more pop-oriented version of the Grateful Dead crossed with the worldbeat explorations of Paul Simon and Sting. The band built up a strong word-of-mouth following in the early '90s by touring the country constantly, concentrating on college campuses. In addition to amassing a sizable following, their self-released album, Remember Two Things, sold well for an independent release; soon, they were attracting the attention of majors. Signing with RCA, the Dave Matthews Band released their major-label debut, Under the Table & Dreaming, in the fall of 1994. By spring of 1995, the record had launched the hit single "What Would You Say" and sold over a million copies.

A year-and-a-half after the release of Under the Table & Dreaming, the record had sold over four million copies in the U.S. alone. In April of 1996, the Dave Matthews Band released Crash, which entered the charts at number two and quickly went platinum. Throughout 1996, the group toured behind Crash, sending it to double-platinum status. Also in 1996, Matthews launched an attack on bootleggers in conjunction with the Federal Government, targeting stores that were selling semi-legal discs of live performances. The efforts of Matthews, his band, and his management resulted in an unprecedented crackdown on bootleggers in early 1997 -- with nearly all of the major foreign bootlegging companies placed under arrest by the United States -- thereby putting a moratorium on the entire underground industry.

To further combat the bootleggers, Dave Matthews released an official, double-disc live album, Live at Red Rocks 8-15-95, in the fall of 1997. It was an unexpected success, debuting at number three on the charts and selling a million copies within the first five months of its release. The live record paved the way for the April 1998 release of Before These Crowded Streets, the group's most ambitious album to date. Another live effort, Listener Supported, followed a year later. Summer tours also packed the late '90s, with sold-out shows across the U.S. The new millennium, however, saw the band back in the studio with Glen Ballard to record their fourth studio album. Everyday was issued in February 2001. The following summer, the band issued Busted Stuff. Debut single "Where Are You Going" was also featured on the soundtrack to the Adam Sandler flick Mr. Deeds.

For those just joining the cult surrounding the Dave Matthews Band, The Best of What's Around, Vol. 1 is actually a stellar introduction. There are two discs in the package, one compiled from the group's studio offerings and a live disc of previously unreleased material (at least "officially" unreleased). But then, this set is unique in another way also: the tracks were selected by DMB fans via the band's website. This is the way best-of and compilation recordings should be issued — by fans, not the suits upstairs. The studio disc contains two cuts from each RCA-issued album, from Under the Table and Dreaming straight through to Stand Up. To everyone's credit, there are two picks from Busted Stuff, a record that was undeserving of the ire it received from some members of the music press. Beginning at the beginning: "What Would You Say" and "Crash into Me" are obvious picks. (The latter is a track well deserving of its smash success, and one of those songs listeners will be hearing in whatever form radio goes for a very long time.) A thoroughly modern love song, its simple melody, hook, and chorus are memorable from the first time through. Other standouts from the first disc include "Crush," "Grey Street," "Grace Is Gone," and "Hunger for the Great Light." The live platter is wonderfully assembled, jumping back and forth across time from 2000 to 2006. All but one of the selections were recorded in the States, and the performances are stellar — even the version of "Ants Marching," the most over-recorded song in DMB history and one listeners should all get a break from, is wonderfully refreshing here. There are a couple of tracks with guest performances: "Everyday" with the great Vusi Mahlasela on vocals, and a scorching read of "Louisiana Bayou" with the inimitable Robert Randolph on pedal steel (if you've never heard Randolph, get ready for a mind-blowing treat). Those uninitiated who are wondering what all the fuss has been about for the past decade get a real opportunity here to check out the very best of what's been recorded, and get a small taste of the band live as well. Longtime fans who don't already have the shows referenced here will want to pick it up for the live set alone.

—Thom Jurek