Slice O Life - Live Solo

Immensely popular in his native Canada, singer/songwriter Bruce Cockburn has found only cult success south of the border, in spite of a rich, varied body of work and considerable critical nods. He has won numerous Juno Awards and has kept the quality control on most of his albums at a high level.

Cockburn's first decade of work (1970-1979) is largely literate, singer/songwriter folk-rock, often with a strong Christian tone and mystical, devotional lyrics. In 1979, Cockburn had his only major U.S. single, "Wondering Where the Lions Are," which peaked at number 21. The accompanying album, Dancing in the Dragon's Jaw, saw him augmenting his music with worldbeat rhythms, an approach he would continue over his next few albums. Cockburn toned down his Christian viewpoint for much of the '80s, partially as a way of disconnecting himself from the American religious right, which he found antithetical to his own spiritual beliefs, and partially to concentrate on more humanitarian, political subject matter. In 1984, Cockburn produced an AOR hit, "If I Had a Rocket Launcher," whose accompanying video depicted conditions in war-torn Central America and gained a fair amount of MTV play.

Cockburn's later '80s work took on a more streamlined rock sound, and his political agenda was weighted toward environmental concerns, as well as oppression. In the '90s, he returned to the more introspective feel recalling his earlier work, and moved toward a more global and political perspective with issues of the angry and polemical for You've Never Seen Everything in 2003. 2005's Speechless was an all-instrumental affair, showing off the artist's skill on guitar, while the next year's Life Short Call Now showed an artist at the prime of his musical maturity. A live set, Slice o Life: Bruce Cockburn Live Solo, arrived in 2009. After a brief tour, Cockburn returned to the studio in 2010, where he finished work on a new collection entitled Small Source of Comfort, which was released in early 2011; it is an intimate set of songs and guitar-based instrumentals (including the live but never recorded Cockburn standard "The Gift"). The album was produced by Colin Linden and features violinist Jenny Scheinman. After the birth of his daughter Iona that year, Cockburn faded into the backdrop to focus on family and writing his autobiography. He also assembled the 11-disc career-spanning box set, Rumours of Glory, which was issued in 2014. His memoir of the same title was published in 2016. Inspired by a book of poems by 20th century Canadian poet Al Purdy, Cockburn set to work writing new material and entered a California studio with Linden as producer/guitarist, his road band, and guests including cornetist Ron Miles and Mary Gauthier. The finished album, Bone on Bone (his 33rd) was issued by True North on September 15, 2017, a week before Cockburn was inducted -- along with Neil Young, Beau Dommage, and Stéphane Venne, into the Canadian Songwriters Hall of Fame.

—Steve Huey

Bruce Cockburn has issued numerous live recordings, and thus far all of them have been band offerings during the various periods of his 40-plus-year career. While the acoustic element has always been a primary part of his stage persona, fans — and the merely curious — have never had access to an official live document of those proceedings, until now. This double-disc set is a generous offering of 25 songs from all different stages of Cockburn's career, taped during May 2008. There were ten shows, and all of them have been sampled here, though the double-disc package has been edited to flow like a single performance in hopes of maintaining the flavor of a given concert. What's more, Cockburn and producer Colin Linden went a step further and added three tunes from the various soundchecks that took place before the gigs as a sort of encore. Along with Cockburn's stellar collection of songs, such as "World of Wonders," "Lovers in a Dangerous Time," "How I Spent My Fall Vacation," "Wondering Where the Lions Are," "If I Had a Rocket Launcher," and "Tie Me at the Crossroads," are beautiful instrumental interludes within tunes — and on the final disc as an intro to the soundcheck performances — that offer his mastery of the guitar as well. Among the final performances is a fine version of his early classic "Mama Just Wants to Barrelhouse All Night Long." While it's true that there is nothing new here, that doesn't diminish the sense of creativity and spontaneity Cockburn is capable of in concert, making this a deeply rewarding purchase for longtime fans.