๐ŸŽต
Artist: Mark Knopfler

Last Exit To Brooklyn

๐Ÿท๏ธ Soundtrack ๐Ÿ“… 1989 ๐Ÿ’ฟ CD โญ **

Field
Soundtrack
Recorded
1989
Label
Vertigo
Pressing
Ger
Rating
**
Discs
1
Media
CD
Bought
15-Jul-1990
Cost
¤5.00

๐ŸŽถ Track Listing

9 tracks ยท 41:28
  1. 1 Last Exit To Brooklyn 5:04
  2. 2 Victims 3:33
  3. 3 Think Fast 2:48
  4. 4 A Love Idea 3:06
  5. 5 Tralala 5:31
  6. 6 Riot 6:23
  7. 7 The Reckoning 7:14
  8. 8 As Low As It Gets 1:31
  9. 9 Finale - Last Exit To Brooklyn 6:18

๐Ÿ“œ Artist Biography

Mark Knopfler is a guitarist, singer, songwriter, and bandleader. His group, Dire Straits, was formed in London in 1977 and went on to become an international success after the release of its debut album in 1978. Though it began as a group with a permanent lineup led by Knopfler, in its first few years it evolved into a brand name for Knopfler with varying personnel. Starting with Local Hero in 1983, Knopfler has scored several motion pictures. He has also recorded with Chet Atkins and with the Notting Hillbillies. In 1995, Knopfler quietly laid Dire Straits to rest. He launched a full-fledged solo career with the release of Golden Heart in 1996; subsequent soundtrack efforts include 1998's Wag the Dog, 1998's Metroland, and 2002's Shot at Glory. Sailing to Philadelphia, a lush collection of folk-rock and breezy Americana that featured guest appearances by James Taylor, Van Morrison, and Squeeze leaders Glenn Tilbrook and Chris Difford, appeared in fall 2000, and Ragpicker's Dream followed in 2002. In 2003, on the way to rehearsals in London, Knopfler broke his collarbone, shoulder, and seven ribs in a motorcycle crash. He returned in 2004 with Shangri-La, and in 2006 he completed All the Road Running, a collaboration with Emmylou Harris recorded over the span of nearly seven years that also found life as a live CD/DVD release (Real Live Roadrunning) later that November. Kill to Get Crimson appeared in 2007, and Get Lucky in 2009.

โœ๏ธ Record Review

Unlike Mark Knopfler's first three soundtracks, his music for Last Exit to Brooklyn did not sound like outtakes from Dire Straits sessions, but instead consisted of fully orchestrated scoring, even if the credit "music performed by Guy Fletcher" suggested that most of the string-like sound was being made by a synthesizer. Nevertheless, this was Knopfler's most ambitious and accomplished soundtrack.

— William Ruhlmann