๐ŸŽต
Artist: John Prine

Storm Windows

๐Ÿท๏ธ Rock ๐Ÿ“… 1980 ๐Ÿ’ฟ R โญ **

Field
Rock
Recorded
1980
Label
Asylum
Pressing
Aus
Rating
**
Discs
1
Media
R
Bought
01-Jan-1900
Cost
¤1.00

๐ŸŽถ Track Listing

10 tracks ยท 32:44
  1. 1 Shop Talk 3:13
  2. 2 Living in the future 3:27
  3. 3 It's happening to you 2:18
  4. 4 Sleepy eyed boy 2:53
  5. 5 All night blue 2:46
  6. 6 Just wanna be with you 3:08
  7. 7 Storm windows 5:05
  8. 8 Baby Ruth 3:07
  9. 9 One red rose 3:17
  10. 10 I had a dream 3:30

๐Ÿ“œ Artist Biography

An acclaimed singer/songwriter whose literate work flirted with everything from acoustic folk to rockabilly to straight-ahead country, John Prine was born October 10, 1946, in Maywood, Illinois. Raised by parents firmly rooted in their rural Kentucky background, at age 14 Prine began learning to play the guitar from his older brother while taking inspiration from his grandfather, who had played with Merle Travis. After a two-year tenure in the U.S. Army, Prine became a fixture on the Chicago folk music scene in the late '60s, befriending another young performer named Steve Goodman.

Diamonds in the RoughPrine's compositions caught the ear of Kris Kristofferson, who was instrumental in helping him win a recording contract. In 1971, he went to Memphis to record his eponymously titled debut album; though not a commercial success, songs like "Sam Stone," the harsh tale of a drug-addled Vietnam veteran, won critical approval. Neither 1972's Diamonds in the Rough nor 1973's Sweet Revenge fared any better on the charts, but Prine's work won great renown among his fellow performers; the Everly Brothers covered his song "Paradise," while both Bette Midler and Joan Baez offered renditions of "Hello in There."

Common Sense For 1975's Common Sense, Prine turned to producer Steve Cropper, the highly influential house guitarist for the Stax label; while the album's sound shocked the folk community with its reliance on husky vocals and booming drums, it served notice that Prine was not an artist whose work could be pigeonholed, and was his only LP to reach the U.S. Top 100. Steve Goodman took over the reins for 1978's folky Bruised Orange, but on 1979's Pink Cadillac, Prine took another left turn and recorded an electric rockabilly workout produced at Sun Studios by the label's legendary founder Sam Phillips, and his son Knox.

Storm Windows Following 1980's Storm Windows, Prine was dropped by Asylum, and he responded by forming his own label, Oh Boy Records, with the help of longtime manager Al Bunetta. The label's first release was 1984's Aimless Love, and under his own imprint, Prine's music thrived, as 1986's country-flavored German Afternoons earned a Grammy nomination in the Contemporary Folk category. After 1988's John Prine Live, he released 1991's Grammy-winning The Missing Years; co-produced by Howie Epstein of Tom Petty's Heartbreakers, the album featured guest appearances from Bruce Springsteen, Bonnie Raitt, and Tom Petty and proved to be Prine's biggest commercial success to date, selling nearly 250,000 copies. After making his film debut in 1992's John Mellencamp-directed Falling from Grace, Prine returned in 1995 with Lost Dogs and Mixed Blessings, also produced by Epstein, which earned him another Grammy nomination.

In Spite of Ourselves In 1998, while Prine was working on an album of male/female country duets, he was diagnosed with squamous cell carcinoma, with the cancer forming on the right side of his neck. Prine underwent surgery and radiation treatment for the cancer, and in 1999 was well enough to complete the album, which was released as In Spite of Ourselves and featured contributions from Emmylou Harris, Lucinda Williams, Trisha Yearwood, Patty Loveless, Connie Smith, and more. In 2000, Prine re-recorded 15 of his best-known songs (partly to give his voice a workout following his treatment, but primarily so Oh Boy would own recordings of his earlier hits) for an album called Souvenirs, originally issued in Germany but later released in the United States. In 2005, he released Fair & Square, a collection of new songs, followed by a concert tour. Two years later, alongside singer and guitarist Mac Wiseman, Prine issued Standard Songs for Average People, a collection of the two musicians' interpretations of 14 folk and country classics. In Person & on Stage, a collection of performances from various concert tours, appeared in 2010.

For Better or Worse In 2016, Prine issued a follow-up to In Spite of Ourselves titled For Better, Or Worse, another set of duet performances of classic country tunes. This time around, Prine's vocal partners included Kacey Musgraves, Alison Krauss, Miranda Lambert, Susan Tedeschi, Lee Ann Womack, Kathy Mattea, and Prine's frequent collaborator Iris DeMent.

—Jason Ankeny

โœ๏ธ Record Review

Released in 1980 by Asylum, Storm Windows would be John Prine's last attempt to record on a major label. One reviewer referred to the album as Prine's "best-sounding record," but one could argue that the production removes a great deal of the singer/songwriter's rough charm. While earlier albums like Diamonds in the Rough (1972) had seemed almost non-produced, Bruised Orange (1978) found the perfect balance between gruff and professional. Storm Windows isn't a bad album, but the songs and "studio musician" production lack the bite of Bruised Orange. The five-minute title track digs deepest, with Prine offering lovely lines like "And down the beach the sandman sleeps/Time don't fly it bounds and leaps." One has to wonder, however, if lyrics like "The spirits were high, til' the well went dry" are autobiographical. Both "Storm Windows" and "Sleepy Eyed Boy" hint at disillusionment, as though an older Prine is looking back at his younger self. In this way, Storm Windows seems more confessional than early efforts like Sweet Revenge (1973). Other catchy pieces like "Shop Talk" and "Just Wanna Be With You" rock harder, but they're more or less throwaways. While Storm Windows captures Prine on autopilot, fans will enjoy listening to his reflections at this transitional stage.

—Ronnie D. Lankford, Jr.